Exploring the appeal of villainous characters in film-induced tourism: perceived charismatic leadership and justice sensitivity

Film-induced tourism is considered a valuable marketing tool, especially crucial for the recovery of post-pandemic tourism. The rapid growth of digital streaming platforms has enabled film and television works to reach global audiences and impact viewers on a broader scale. Scholars and tourism operators increasingly recognise film characters' pivotal role in global film-induced tourism. While film-induced tourism is generally believed to impact the image of tourist destinations positively, existing research has predominantly focused on the decent characters portrayed in films. However, the allure of captivating audiences is not confined solely to decent characters. According to narrative studies in film and television, villainous characters with extraordinary skills often have a stronger appeal to viewers than decent ones. Therefore, the objective of this study is to explore a rarely discussed topic: how villainous characters enhance the attractiveness of tourist destinations. This interdisciplinary research principally integrates character arc theory and reception aesthetics from film studies, emotion contagion theory from marketing research, and place attachment theory from tourism studies. Accordingly, this study examines the perceived charismatic leadership of villainous characters and its impact on film tourists' emotion contagion, place attachment and visit intention. The study distributed questionnaires to 532 audiences who watched the Chinese police and crime drama titled, The Knockdown(狂飙), and who acquainted themselves with the villainous character Gao Qiqiang (高启强). Structured equation modelling showed that villainous characters with charismatic leadership can significantly impact the intention of film tourists. Specifically, perceived charismatic leadership directly influenced emotions of pleasure, arousal and admiration. Place attachment existed as a whole or partial mediator of the three emotions and visit intention. Moreover, the audience's justice sensitivity negatively moderated the positive relationship between perceived charismatic leadership and emotions. Finally, the study provides insights and suggestions for film tourism marketers and screenwriters.

Rui Yao, Jian Yang