The Arts

Microchemical analysis of Leonardo da Vinci's lead white paints reveals knowledge and control over pigment scattering properties

V. Gonzalez, S. Hageraats, et al.

This groundbreaking research, led by Victor Gonzalez and team, reveals how Leonardo da Vinci cleverly utilized two lead white pigment subtypes in his iconic painting, *The Virgin and Child with St. Anne*. Discover the secrets behind his artistic choices and the optical effects that made his work revolutionary.

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Abstract

This study analyzes a paint sample from Leonardo da Vinci's *The Virgin and Child with St. Anne*, using synchrotron-based hyperspectral photoluminescence imaging and high-angular X-ray diffraction. The results show Leonardo used two lead white pigment subtypes, demonstrating his knowledge of material properties and their aesthetic effects. The research provides insights into pigment acquisition and the optical properties Leonardo sought to achieve.

Publisher

Scientific Reports

Published On

Dec 10, 2020

Authors

Victor Gonzalez, Selwin Hageraats, Gilles Wallez, Myriam Eveno, Elisabeth Ravaud, Matthieu Réfrégiers, Mathieu Thoury, Michel Menu, Didier Gourier

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