This paper analyzes the representation of same-sex love in select Bollywood films, *Ek Ladki Ko Dekha Toh Aisa Laga* (2019) and *Shubh Mangal Zyada Saavdhan* (2020), focusing on visual elements and familial resistance. While previous Bollywood films touched on the theme of individuals disclosing their sexual identity, these films uniquely emphasize seeking acceptance and understanding within the family, setting them apart as exceptional narratives.
Publisher
Humanities and Social Sciences Communications
Published On
Jan 04, 2024
Authors
Prasitha V, Bhuvaneswari G
Tags
same-sex love
Bollywood films
familial resistance
acceptance
visual elements
sexual identity
cultural representation
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