The role of isochrony in speech perception in noise

The role of isochrony in speech—the hypothetical division of speech units into equal duration intervals—has been the subject of a long-standing debate. Current approaches in neurosciences have brought new perspectives in that debate through the theoretical framework of predictive coding and cortical oscillations. Here we assess the comparative roles of naturalness and isochrony in the intelligibility of speech in noise for French and English, two languages representative of two well-established contrastive rhythm classes. We show that both top-down predictions associated with the natural timing of speech and to a lesser extent bottom-up predictions associated with isochrony at a syllabic timescale improve intelligibility. We found a similar pattern of results for both languages, suggesting that temporal characterisation of speech from different rhythm classes could be unified around a single core speech unit, with neurophysiologically defined duration and linguistically anchored temporal location. Taken together, our results suggest that isochrony does not seem to be a main dimension of speech processing, but may be a consequence of neurobiological processing constraints, manifesting in behavioural performance and ultimately explaining why isochronous stimuli occupy a particular status in speech and human perception in general.

Vincent Aubanel, Jean-Luc Schwartz