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Global musical diversity is largely independent of linguistic and genetic histories

The Arts

Global musical diversity is largely independent of linguistic and genetic histories

S. Passmore, A. L. C. Wood, et al.

This study conducted by Sam Passmore, Anna L. C. Wood, Chiara Barbieri, Dor Shilton, Hideo Daikoku, Quentin D. Atkinson, and Patrick E. Savage reveals intriguing insights into the independence of musical traditions from linguistic and genetic histories across the globe. With the analysis of an extensive set of data, the findings prompt a reconsideration of what shapes our musical identities.

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~3 min • Beginner • English
Abstract
Music is a universal yet diverse cultural trait transmitted between generations. The extent to which global musical diversity traces cultural and demographic history, however, is unresolved. Using a global musical dataset of 5242 songs from 719 societies, we identify five axes of musical diversity and show that music contains geographical and historical structures analogous to linguistic and genetic diversity. After creating a matched dataset of musical, genetic, and linguistic data spanning 121 societies containing 981 songs, 1296 individual genetic profiles, and 121 languages, we show that global musical similarities are only weakly and inconsistently related to linguistic or genetic histories, with some regional exceptions such as within Southeast Asia and sub-Saharan Africa. Our results suggest that global musical traditions are largely distinct from some non-musical aspects of human history.
Publisher
Nature Communications
Published On
May 10, 2024
Authors
Sam Passmore, Anna L. C. Wood, Chiara Barbieri, Dor Shilton, Hideo Daikoku, Quentin D. Atkinson, Patrick E. Savage
Tags
musical diversity
linguistic history
genetic history
cultural independence
regional exceptions
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