Cultural Semiotics in Nezha Naohai (1979): Daoism, Buddhism, and | ResearchBunny

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Abstract

This paper analyzes the 1979 film *Nezha Naohai*, examining how its cultural semiotics reflect a blend of Daoist and Buddhist elements in constructing a Chinese national style. The study focuses on the film's depiction of heaven, the character design of the Four Dragon Kings, and the use of Daoist philosophical concepts like *Qian-Kun* and *Wuxing*.

Publisher

Humanities and Social Sciences Communications

Published On

Jul 26, 2024

Authors

Author Name

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