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Abstract
This study explores how the practice of headloading in Nigeria signifies subaltern voices. Through an interpretive analysis of images and representations from sources like Facebook and art catalogues, the study examines the social, economic, and political dimensions of headloading within the framework of visual discourse and metaphor. It argues that headloading serves as a constant symbol of class and power, reflecting the experiences of many Africans and metaphorizing the relationship between developed and developing societies.
Publisher
Humanities and Social Sciences Communications
Published On
Dec 11, 2023
Authors
Trevor Vermont Morgan
Tags
headloading
subaltern voices
visual discourse
social dynamics
power
Nigeria
economic dimensions
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