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Reifying subaltern voices: a visual communication and figurative discourse of headloading practices in Nigeria

The Arts

Reifying subaltern voices: a visual communication and figurative discourse of headloading practices in Nigeria

T. V. Morgan

This study delves into the significance of headloading in Nigeria, showcasing how it articulates subaltern voices and reflects societal power dynamics. Through visual discourse and metaphor, it captures the economic and political nuances of this practice, highlighting the experiences of many Africans. This insightful research was conducted by Trevor Vermont Morgan.... show more
Abstract
This study provides an understanding of how headloading practice signifies subaltern voices in Nigeria and Africa, among others. The study has sought to interpret the practice of headloading drawing from its images and representations from selected sources, which include Facebook and catalogues of artwork. This interpretive study constructs meaning through a discursive insight around the social practice of headloading. It expands interpretation and ideological structures to include social, economic, and political applications of the headloading subject within the framework of visual discourse and metaphor. This study directs a rethinking of headloading while underpinning the notion of ‘subalternity.’ While not necessarily asking for abolishing the social practice of headloading, the study communicates an understanding that the social phenomenon is a constant symbol of class and power status that many Africans have experienced. Headloading further ‘metaphorises’ the interaction between developed and developing societies (the Global North and South), and underscores related imports of colonisation.
Publisher
Humanities and Social Sciences Communications
Published On
Dec 11, 2023
Authors
Trevor Vermont Morgan
Tags
headloading
subaltern voices
visual discourse
social dynamics
power
Nigeria
economic dimensions
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