Monsters revisited: a comparative study of the use of humor in dramatizing benevolent monsters in *The Monsters under the Bed* and *The Boy Who Loved Monsters and the Girl Who Loved Peas*

Works for children are filled with a myriad of creatures that are often used by writers to convey certain messages to the young readers/audiences. From tamed to wild, real and imaginary beings, such creatures emerge either as benevolent or evil forces. This study seeks to highlight the role of humorous, benevolent monsters in works for children showing how their presence is laden with meanings. For this purpose, two plays for children are selected: The Monsters under the Bed (2007) by Fr. Dominic Garramone and Osb and the St.Bede Theater Troupe, and The Boy Who Loved Monsters and the Girl Who Loved Peas (2013) by Jonathan Graham. Drawing upon humor studies, monster studies, and child psychology, the paper attempts to analyze the use of humor in portraying friendly monsters in the selected works reflecting how it is through them that the children protagonists revisit their views of monsters and understand that they are a reflection of themselves (their needs/fears). The analysis of these benevolent monsters and their effect on the protagonists will be carried out in relation to the different theatrical elements and the verbal and visual signs which clarify and affirm the benevolence of such creatures and the humorous touch added to their roles.

Heidi Mohamed Bayoumy